“House music is disco’s revenge. So said Frankie Knuckles, reflecting on the charged history of the genre, which emerged in hometown Chicago in the middle of the 1980s. In this case home, to quote Gil Scott-Heron, is where the hatred is, or was. The disco sucks movement had its spiritual and organisational headquarters in the city, and the organisation’s campaign reached its vitriolic climax when the celebrity rock DJ Steve Dahl detonated fifty thousand disco records during the halfway break of a baseball doubleheader. Metaphorical retribution arrived, according to the Knuckles, when dance artists, revisiting the disfigured disco of Dahl’s melted vinyl, melded it into house. Revenge indeed…”
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